Skip to main content

Preparation for Specialist Study Report:

 Preparation for specialist study report:



Whilst I’ve been on this course, I have created two extra makeup looks to help further develop my skills. Both looks were casualty effects: Cut and bruised knuckles and a cut on the face. Both of these were made with Scar Wax to create the cut itself, and the Ben Nye bruise wheel was used to deepen the colour on the injuries and to create the bruise effect on the knuckles. 

Another extra piece of makeup I have created was an elf ear to practice for the upcoming Christmas film I was creating makeup for. I also used scar wax to create these and added some foundation to match the colour of my ear.


So far, my attendance throughout the year has been 100% and I have always made sure to show up on time, if not earlier, especially when the times were temporarily changed (e.g: 9 am instead of 9:30 am). Even during the online lessons during the lockdown, I managed to join each call on time.


Whilst working in the makeup room, I made sure to demonstrate a high level of professionalism. An example of this would be how I maintained good hygiene; I’d wear clean clothes every day, made sure my hair was clean and tied back when working closely with other people, I would wash and sanitize my hands on a regular basis and sanitize the base that I was working at and clean my brushes regularly, including a quick clean if I was to be using that brush on more than one person.

Another way I demonstrated professionalism would be by keeping the area I was working at safe for everyone in the area. I would wear a mask at all times, all coats and bags were moved out of the way by putting them under the base, I also made sure my area was organized at all times by placing my brushes and any skin care products I will be using on one side of the area I had set up and any makeup I was going to be using was placed neatly on the base.


For work experience, I have worked on four productions so far: Run, Try As You Might, A Midsummer Night’s Dream and A Holly, Jolly Christmas. However, three of those productions, Run, Try As You Might and A Midsummer Night’s Dream, were ‘practice runs’ to get an idea of how things would work when it came to working on productions.

For Run, we were split into two separate groups. we began by breaking down the script and discussing our initial ideas on the appearance of each of the characters. we then had 2 people create moodboards for the characters whilst the other three people created the designs for the characters.

For Try As You Might, we worked in two separate groups. We focused on breaking down the script and gathering design ideas and moodboards for each of the characters based on the context given in the script.

For MSND, we worked in one big group. During the first meeting, we were each given different character profiles, discussing each one whilst filling out a character chart for each of them. We also discussed the script (quotes) and decided jobs for the next meeting:  moodboards and design ideas for the characters.

For the second meeting, we each went round and discussed our design ideas for the characters. As well as this, we also talked about how this makeup will be for stage rather than screen, meaning that the makeup will need to be a lot more bold and noticeable when the actors are on the stage underneath the stage lights. Following up from this, we also discussed the size of the audience and stage, deciding that there will be a medium sized stage and audience. Moving on from this, we got to practicing the makeup on each other.

For the Christmas film, we were also working with the film students. The director gave us a file that included some information about the kind of makeup looks they wanted us to do for each of the characters, a moodboard for the main characters to give us an idea of what they’re looking for and the information about the date and time for when they wanted the makeup to be applied for and the time they planned of starting filming. Later on, the director sent us headshots of each of the actors, their names and which characters they will be playing. It was then decided which character we will each be designing, sharing our ideas for each of them. When it came to actually applying the makeup, we had already decided which person will be doing which actors' makeup.

This helped improve communication as I had to participate in each of the meetings and discuss my ideas with the rest of the group, as well as give some feedback on their ideas.

This also helped improve professionalism as I had to practice this whilst working on each of the productions.


Comments

Popular posts from this blog

Pantomime Dame makeup evaluation

  For the pantomime dame makeup, I like the outcome of the eye makeup, the orange especially, because I like how it has been blended from dark to light. I also like the eyeliner both on the eyelid and below the eye, including the white, as it enhances the eye shape and size. However, I need to improve on being able to cover up my eyebrows and raising the drawn on ones further up my forehead as they were too far down. I also need to darken the contouring on the cheeks and the jaw. I also think I should darken the outline of the lips too as it isn’t as visible as it should be. This makeup would be suitable for a small and medium sized stage and audience as it can be seen from far enough away. The colours could also work underneath certain stage lights as they wont be blended together. edit: 23/05/2021

SFX MUA research:

  Michael Mekash: Michael Mekash is mostly well-known for his work on American Horror Story. He has also worked on many other popular films such as: Mad Max: Fury Road, Avengers: Infinity War and Prison Break. Mike started out as an artist and graphic artist who did tattoo work on sets. Not too long after, he began working as a makeup or special effects artist on some of the biggest films and TV shows.  He started his career back when he lived in Seattle, working a day job and a freelance graphic artist in his spare time. He then moved on to taking a job in LA in 2000, drawing tattoos for TV and film, pushing him forward into pursuing a career as an MUA. He has been fortunate to receive 15 Emmy nominations and 5 Emmy wins including: Outstanding Prosthetic Makeup For A Series, Limited Series, Movie Or Special - 2020 (nominee) Outstanding Prosthetic Makeup for a Series, Limited Series, Movie, or Special - 2017 (winner) Outstanding Makeup For A Limited Series Or Movie (Non-Pros...

LSOH meeting 12:

  LSOH meeting 12: 19/05/2021 The day before the production. To start off this meeting, we began by checking through the production folder together to make sure we had everything we needed in there, including face charts, makeup designs, actors headshots and skin consultation sheets. It was important we had all of this in there as it was important we knew what makeup we were doing, how we would be applying it to the actors face and which products we needed to check for and organise. This showed good organisation skills as we were checking beforehand to make sure we had everything ready for the production nights. We then took some time to work in the LRC to polish up our blogs for a little while and add in anything we may have missed; this could include: adding in any missing images and any information on what we had discussed/decided on during previous meetings. It is important to keep track of all of this as it helps us keep track of what we have all worked on throughout the produ...